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5993 No. 5993
I HAVE MADE A WALL.

=========================

Time to take the initiative. Remilia obviously wants to be around you, she's enjoying this. You need to make sure things shape up in your favor, get stuff out into the open. The fewer hidden fault lines in this place the better.

"Remi," you start. "About what I said earlier."
"Hmm?" She looks up from her food.
"About you and Flandre." You say gently.
Remilia looks away from you, obviously uncomfortable.
"I hope I've been helpful, Remi."
She chews her lip in silence.
"I'm not going to pressure you, I only feel that it's important you try to close the rift between you and her."
She says something below her breath, too quiet for you to hear.
"What was that?" You ask.
"I said I know. I know I need her."
"You need her?" You ask, unsure what she means.
Remilia sighs and rubs her eyes, averting the oncoming redness.
"I mean I love her." She says. "It's hard, there's so much unsaid between us I don't know how to deal with it."
"What's unsaid?" You ask.
"The fact that I was her jailer, that I was afraid of her for so long, that I'm sorry."

"Okay then Remi. Why did you lock her away?"
Remilia sighs again, but she looks calm and rational.
"For her own safety. She might be lethal but she doesn't know how to control it perfectly. She's not ... invincible. I might have been able to protect her from a hunter or an angry mob but what happens when an army turns up on my doorstep? What then? That's why I came here."
"To Gensokyo?"
"Yes, fewer people. Safer. I thought she could finally be let out here, be free."
"What went wrong?" You ask.
Remilia laughs. "Youkai are stronger than they look. I had to reach a compromise with the locals."
"Ah," You say. "Yes, I've heard about that."
"So Flandre stayed locked away. In the end it wasn't even me who let her out. Fucking magician bitch." Remilia's tone turns angry when talking about Marisa.
"But you're making progress now, real progress." You say, trying to get the subject back on track.
"I know. T-thankyou." Remilia reaches across the table and takes you hand for a moment.
"Just don't forget how dangerous she can be." She warns you.
You nod and give her hand a little squeeze.

This reminds you of something.

"Speaking of people making progress, I think I have some good news for you." You say.
"Oh?" Remilia perks up.
"Did you know that Alice stayed with Patchouli last night?" You ask.
"The Dollmaker? Why?" Remilia frowns for a second, then her eyes get wide. "Oh." She says. "You weren't spying on them were you?"

Why must everyone in this house assume you're a pervert? Well, you are, but you've been controlling yourself very well in a house full of beautiful (if very dangerous) women.

"Of course I wasn't." You insist. "I just helped convince Alice to stay here."
"Well ..." Remilia pauses, a slow smile forming on her face. "I never thought that would happen, Patchy can be so difficult sometimes. Good for her, I'll have to go tease her about it later." Remilia giggles.
"I don't know if Patchouli actually confessed to Alice or not. Sorry to put a dampener on things." You say.
"Oh well, I can go poke them along in the right direction if not."

You've got her amused again and there's going to be no better time to mention this. She's thinking about romance already, abet other people's.

"Remi." You gulp. "When we kissed, what did that mean?"
Rather than blushing, Remilia just raises her eyebrows at you and tries to suppress a grin.
"Oh? What's that? Could you say that again?" She leans forward out of her chair, towards you, hovering again.
You grin back, playing along.
"I asked, my dear Mistress Remilia, what it meant when we kissed?"
This time she does blush a little.
"I don't know." She says, suddenly serious again. "What did it mean?"

[ ] Nothing.
[ ] "I-I n-need to go check on the cake!"
[ ] Tell her you've fallen for her.
[ ] Tell her it means she's your plaything.
[ ] Tell her it means you're her plaything.
[ ] ___________________________ Fill in the blank.

>> No. 5994
GENTLEMEN, if ever there were a time to work your write-in magic, NOW is that time!
>> No. 5995
[ ] Kiss Remi

I've never been good at admitting what I really think about my girlfriends so I vote we evade the subject like I always do.
>> No. 5996
>>5993
[►] "You're brave to let me interpret that as I want to." + Kiss
>> No. 5998
>>5995

ITT: Grandiose Illusions
>> No. 5999
>>5996
Hey, that ain't half bad.

[ ] "You're brave to let me interpret that as I want to." Kiss her.
>> No. 6000
[x] Kiss Remi
Because in a situation like this, I would have no clue on what to say. So it's time to act, not talk. Suprise kiss attack
>> No. 6002
[ ] Tell her you think it means you should do it more often, then kiss her.
>> No. 6003
[ ] Kiss the cake, tell her she is her plaything, play with yourself, go check on the cake, reverse the birth, fall for the nothing, reverse the world and spin Spin SPIN SPIN SPIN SPIN SPIN SPIN SPIN SPIN SPIN SPIN SPIN
>> No. 6004
[x] "You're brave to let me interpret that as I want to." Kiss her.

I can run with this. It gives a response, without really giving any sort of definitive answer. Hahaha!
>> No. 6005
[x] "You're brave to let me interpret that as I want to." Kiss her.
>> No. 6006
Shit. Now the cake's gonna burn.
>> No. 6007
[X] "You're brave to let me interpret that as I want to." Kiss her.

Eh, why the hell not?
>> No. 6008
[x] "I-I n-need to go check on the cake!"

PRIORITIES!
>> No. 6009
[x] "You're brave to let me interpret that as I want to." Kiss her.
>> No. 6010
[x] "You're brave to let me interpret that as I want to." Kiss her.

Fuck yeah
>> No. 6011
[x] "I-I n-need to go check on the cake!"

CAKE

WE HAVE TO RESCUE IT
>> No. 6012
Didn't we have any sort of timer to use while baking the cake?
>> No. 6014
What's up with you guys? Hot vampire > cake.
[x] "You're brave to let me interpret that as I want to." Kiss her

Also if we go to check on the cake, we may find out... There is no cake.
>> No. 6015
[x] "You're brave to let me interpret that as I want to." Kiss her.

Might as well move the story along if I can't come up with a damn thing.

_| ̄|◯
>> No. 6016
[ ] "W-we n-need to go check on the cake!"

Why should it be just us going to check on it? It's Remi's cake, too.

Then we bring it out, let it cool, and then feed it to each other. When we're done, if one of us has some cake on their face, the other can help clean it off. With their mouth.
>> No. 6017
[x] "You're brave to let me interpret that as I want to." Kiss her.

Fuck yeah write-in.
>> No. 6018
[X] "You're brave to let me interpret that as I want to." Kiss her.
>> No. 6019
[X] Tell her it means you're her plaything.

Write-in's won anyway, right? Might as well vote where my heart tells me.
>> No. 6020
[X] "You're brave to let me interpret that as I want to." Kiss her.

I like this
>> No. 6021
>>[ ] Tell her you've fallen for her.
This is true, but it's still too early to say it. So I'd vote for write-in, but it already won.
>> No. 6022
You silly buggers.

Okay, writing now.
>> No. 6023
SILLY BUGGER END
>> No. 6024
>>6022
Write us another WALL.
>> No. 6026
It is delicious cake, we must not burn it.
>> No. 6027
>>6026
CAKE END?
>> No. 6028
File 12110440093.gif - (52.55KB , 593x668 , remi tease.gif ) [iqdb]
6028
You smile. "You're brave to let me interpret that as I want to."
Remilia's face falls for a second. "What?"
Then you reach up and take her by the shoulders. She's already floating so you just give her a little pull towards you and slip an arm around her shoulders, brushing one her of wings as you do. Your other hand goes up and through her hair, against the back of her head. She gives a little gasp.

You kiss her, closing your eyes. You don't need to see to do this, instinct takes over for you.

She doesn't move for a moment. Then her mouth changes angle against yours and her hands are up around your head as well. She joins the kiss with the same ferocity you remember from last time. Suddenly she breaks contact, smiling.
"Move your chair back, there's not enough room." She says, breathing hard.
Good point, she's still leaning over the table. You push your chair backwards and she follows you, swinging her legs around so as to sit on your lap. Settling her weight against you she wraps her arms around you again.
"Where were we?" She mutters as she brings her lips up to yours. This time she kisses you, taking all the initiative. She presses her body against you, shifting in your lap. The soft wet pressure of her lips is all that fills your mind. Hers too it seems, because she only notices you getting hard against her buttocks when she breaks away to breathe.
"Oh my." Her eyes are wide and she shifts on your lap again, putting a hand down there and then thinking better of it.
She moves so she's not pressing directly down on your erection, but you can still feel it against her.
"Control yourself." She says, smiling.
She swallows hard and then kisses you again, making a little moaning sound as she does.

[ ] Keep your hands in safe areas.
[ ] Start to feel her up.
[ ] Try to shift her back onto your cock.
[ ] MUST HAVE REMILIA. Completely lose control.
>> No. 6029
[ ] Keep your hands in safe areas.
>> No. 6031
Not yet, not yet, must have control, she will come onto us, and she wants it bad.
[X] Keep your hands in safe areas.
>> No. 6032
[ ] Keep your hands in safe areas.

OH GOD FAPFAPFAP
>> No. 6033
[x] Keep your hands in safe areas.
>> No. 6034
[x] Check on the cake
>> No. 6035
[ ] Keep your hands in safe areas.
>> No. 6036
[ ] Keep your hands in safe areas.

We're in an area where people could easily observe us. Not exactly the best place to go all out.
>> No. 6037
[ ] MUST HAVE REMILIA. Completely lose control.
This loosing controll sounds fun
>> No. 6038
[x] Keep your hands in safe areas.

Cockblocked by the cake. DO IT!
>> No. 6039
[X] Keep your hands in safe areas.

Belmonymous is somewhat of a gentleman.

Also I'm guessing we burn the cake and mess up the kitchen and Sakuya kills us for it.
>> No. 6040
On another note, fuck that was hot. I have high expectations for the inevitable h scene with Remi
>> No. 6041
>>6039
Well, at least we won't die as a virgin if we play our cards rioght
>> No. 6042
[ ] "I have AIDS."
>> No. 6044
[X] Keep your hands in safe areas.
>> No. 6045
>[ ] MUST HAVE REMILIA. Completely lose control.
>Completely lose control.
Nanayanon Option?

[x] Keep your hands in safe areas.
>> No. 6046
>>6034
Cake Mind. You can have fun with Cakes too.
>> No. 6047
[X] Keep your hands in safe areas.

Feeling up is tempting, but I'm thinking that would be best for someplace where there's a little more privacy. If someone walks in now, we can still probably break off and have it not look too strange. Aside from Remi sitting in our lap, of course.

Probably wouldn't be so easy if we're groping her, too.
>> No. 6048
[X] Keep your hands in safe areas.

Like on her back and her head. Unless the junctions where her wings meet her back are particularly sensitive.
>> No. 6049
[x] Keep your hands in safe areas.
Scrolled down from the choices expecting to see us voted into a BAD END, but was pleasantly surprised.
>> No. 6050
Remember when we were given option to slide our hand further up Remi's lap? This is the same.

[X] Start to feel her up.
>> No. 6051
>>6050
It's too late to stem the tide now. Also, HY writes ridiculously well.
>> No. 6052
[x]Check the cake
>> No. 6053
>>6034
I lol'd

[X] Keep your hands in safe areas... for now.
>> No. 6054
[X] Keep your hands in safe areas.
>> No. 6055
[x] Keep your hands in safe areas.

>>6049
Surprisingly, the collective Anonymii in Belmonymous's head know to when to stay in control in this situation. Besides, the building tension will make the wild, finger-sucking sex later all the better.
>> No. 6056
Let me just say I'm impressed at your self-control.

Writing now.
>> No. 6057
>>6045
Only works for Nanayanon and not even always, he got more bad ends then all the other Stories together.
>> No. 6058
>>6056

We're gentlemen today HY. We'll take it slow, and then we'll carry her up to her room and continue from there since it'll be far more private. And also a comfy bed would be far easier on Remi than the table.
>> No. 6059
>>6056
Belmonymous has learned well. It may have something to do with having Remi's hand punched through our ribcage during that one bedroom incident....
>> No. 6060
mustnotfap.jpg
>> No. 6061
Remilia for lunch? Sounds good to me.
>> No. 6062
>>6056
Sakuya is watching us with a face full of hate and rage.
We have to wait until Remilia is ready, which is soon, then we can do whatever we want with her.
>> No. 6063
>>6056
>>6059

Also, Remilia just said to do so. hurrr.
>> No. 6064
Remilia asks you to keep control of yourself then you're damn well going to keep control of yourself!
That doesn't mean you can't caress her a little bit, just not anywhere too sensitive, right?
She's still kissing you so deeply you have trouble forming any coherent thoughts other than ones about the feeling of her body and how her lips are gliding over yours and her tongue and the fabric of her dress beneath your fingers and the warmth of her skin and

No no, focus, dammit.

You drag yourself up and out of utter stupefaction, joining in with her enthusiastically. You start to run your fingers through her hair and down her neck. You let your other hand move over her side and then you grab her waist. She reciprocates by shifting on your lap again and guiding your head with her hands as you kiss. The weight of her body feels different now, pressure is too far back. You crack open an eyelid, looking down to see that she's now got her legs apart, straddling you. You can't help but open both eyes fully for a second. Her face fills the centre of your vision, eyes closed in pleasure. Her body is pressed against yours and you can feel all her soft curves through your shirt.

She pulls back for a second, grinning and flushed red.
"So," she breathes just loud enough for you to hear. "What does this mean?"

Then there is a sudden, very loud, very hard, knocking on the door. Remilia rolls her eyes and tuts.

[ ] Don't answer the door, go back to kissing Remilia.
[ ] Don't answer the door, answer Remilia's question.
[ ] Tell whoever is at the door to go away.
[ ] Ask who it is.
[ ] Tell them to come in.
[ ] Pick up Remilia and hide somewhere in the room together.
>> No. 6065
>>6063
Indeed. The consequence of disobedience is clear. And we know Remi route is already locked in, so there's no harm in a little patience....
>> No. 6066
[x] "THE CAKE!!!!" Run to the kitchen.
>> No. 6067
[x] Tell whoever is at the door to go away.
[x] Don't answer the door, answer Remilia's question.

OH FUCK I JUST REMEMBERED THE CAKE
>> No. 6068
[X] Pick up Remilia and hide somewhere in the room together.

I get the feeling whoever it is knows we're in there already. Doesn't mean we can't still have some fun with it.
>> No. 6069
[ ] Don't answer the door, answer Remilia's question.
>> No. 6070
[x] Go get the cake before it burns
>> No. 6072
[ ] Pick up Remilia and hide somewhere in the room together.
>> No. 6075
[X] Don't answer the door, go back to kissing Remilia.

God damn it, Sakuya.
>> No. 6076
[X] Don't answer the door, answer Remilia's question.

Remilia's more important than whoever that is.

.... I'll feel absolutely horrible if it's Flan, but only her.
>> No. 6078
[ ] Answer Remilia's question, go back to kissing Remilia, answer the door.

I think our cake is burning. And Sakuya is about ready to kill us, and she hasn't even SEEN what we're doing with Remi, yet.
>> No. 6079
[X] Pick up Remilia and hide somewhere in the room together.

As someone else noted, I will only be remotely sorry if the person at the door is Flan. Everyone else can just not interrupt our alone time, thank you very much.
>> No. 6081
[ ] Don't answer the door, answer Remilia's question.
[ ] "It means that this vampire hunter has caught his quarry."; sly grin.
[ ] Ask who it is.
>> No. 6082
[x] Don't answer the door, answer Remilia's question.

Changed my mind about rushing for the cake and deleted my old post. I think it's quite a charming idea for Belmonymous' to be totally focused on Remi, her question, and their relationship right now.
>> No. 6083
>>6028
[X] I just want Remilia

Seeing her like this... Moaning, covered in sweat, lips wet with mine and her saliva... I can't take it. I can't take it anymore.
"Belmonymous... What are you..."
Grabbing her wrists, I lift her up.
"Kya!"
She's so light. Light as a butterfly. Using my other hand to rip the clothes off her petite chest, I begin to lick her nipples. She tries to squirm, but her own extasy is not letting her resist.
"Ahh!"
She's so small. Not even half my height. It feels like I could rip her apart by just pulling her arms. So fragile. So pitiful.
I must have her.
There is nothing that can stop me now.
Continuing my invasion on her pink nipples, I reach down into her bloomers.
"Stop! D-don't-- Ahh!"
As expected, she's already wet. My fingers go inside without any problems. Her vaginal walls squeeze them tightly as I push them deeper and deeper. Sliding them in and out, making a shlicking sound, I lay her down on the table.
I can't take it anymore. This is too much. I slide her bloomers down, revealing her wet slit. Slender thighs. Little bellybutton.
She looks at me with teary eyes.
"P-please... Be gentle..."
With that, I lose it.
Unzipping my pants, I slide it in. My raging erection penetrates every corner of her slippery corridor, exploring from every angle and direction. Humping her body, pushing back and forth, my tension slowly builds up.
And then, I realize, I can't hold it in anymore.
Shooting my whole load inside her tight vagina, I fall down on her chest.
That was fast. Really fast. But her inside... It was so warm, so pleasant... And made me come in a little more than 30 seconds. What an incredible pleasure that little body of hers can give me.
"B-belmonymous..."
She moans as I slide my shaft out of her. Little droplet of jizz leaks out of her tight slit, falling down on the floor.
Fascinated by this sight, I look at that droplet.
It falls down.
And falls.
And falls.
But I could never see it hit the floor.
Because.
All I can see.
Is a red mist.
"Mistress, are you alright?"
Red mist.
Covering my eyes.
"Sakuya! What have you done?!"
"Mistress?"
My thoughts.
My mind.
"I-- He wasn't doing anything wrong!"
I can't think.
I can't think anymore.
"Sakuya... I'm sorry. If he dies, consider yourself fired."
"Mistress, I--"
"Silence!"
Blank.
My mind is blank.
The only thing in my head is...
This...
Overwhelming...
Cold...
>> No. 6084
[ ] Don't answer the door, answer Remilia's question.
There's no point hiding. It's obviously Sakuya knocking, and for her to knock on the KITCHEN door of all places obviously means that she knows someone's in here.
>> No. 6085
[X] Don't answer the door, answer Remilia's question.

Why should we answer door when there are some much better things to answer to?
>> No. 6086
[X] "THE CAKE!!!!" Run to the kitchen.

I'm probably more worried about the cake than I should be.
Why? Why does it invade my thoughts when I'm trying to read delicious Remi scenes?
>> No. 6087
[x] "THE CAKE!!!!" Run to the kitchen.
>> No. 6088
Since every damn anon is so concerned about the cake, could we get a time estimate on long how it's been cooking?
>> No. 6089
[X] Don't answer the door, answer Remilia's question.
>>6086
PEOPLE WANT A CAKE END!
>> No. 6090
>>6083
>>"If he dies, consider yourself fired."
I'd hope Remi would be more upset than that. ;_;
>> No. 6091
>>6083
We had our way with Remi, but we died. Is this a BAD END or not?
>> No. 6092
>>6083
>"B-belmonymous..."
The interesting thing is that I don't think Belmonymous' name has ever actually been raised in the story...and yet I haven't noticed any awkward prose as a result.
>> No. 6093
>>6091

Is it, I wonder?
>> No. 6094
>>6091
30 seconds only, could've been longer. Too less to die for.
>> No. 6095
[x] Don't answer the door, answer Remilia's question.
>> No. 6096
[X] Don't answer the door, answer Remilia's question.

"It means you're mine. It means I'm your's."
>> No. 6097
[X] Don't answer the door, answer Remilia's question.
[X] Ask whoever's at the door to check on the cake.
>> No. 6098
Changing my vote to >>6097 . This way we can have our cake and eat it.
>> No. 6099
[x] Don't answer the door, answer Remilia's question.
People care more for the Cake then Remilia.
>> No. 6100
>>6092
And I've worked fucking hard to keep it that way.
>> No. 6101
[x] Don't answer the door, answer Remilia's question: "I'm no good at vampire hunting."
>> No. 6102
>>6100
I didn't hear a "Okay, writing now." from you.
>> No. 6103
>>6100
'Tis a job well done. I can only begin to imagine the troubles of having to structure sentences with a "don't mention his name" prohibition. But it hasn't stood out to me, at least....the absence of a name only really occurred to me a couple days ago.
>> No. 6104
>>6102
Ya know, maybe he's taking a break? He's damn well earned it.
>> No. 6105
>>6104
Nah, I try to always say when I'm having a break. Less stain on everyone's F5 keys. I'm writing now.
>> No. 6106
>>6105
You are a fucking machine, every day for hours writing.
>> No. 6107
>>6103
Not mentioning a name isn't too difficult. It is pretty impressive that he wrote so much without a name for the protagonist though.
>> No. 6108
>>6106

One of us one of us etc.
>> No. 6109
>>6096
I am yours, you are mine, you are what you are~
>> No. 6110
You ignore the door. Being attentive to Remilia is more important. More important right now and more important always. God yes, anything for you Remilia, anything, you think.
"What does this mean?" You think. "What does it mean? I-"
Remilia puts up a finger to your lips, her expression has shifted. She's still flustered and blushing but there's something else behind that as well.
"No, I don't want to hear it, you're not leaving." She says in a rush, taking her finger away and kissing you again, deeply. You feel her fingers bite into your back just a little, not quite enough to hurt.

There is another knock on the door, Remilia pulls back from you and shoots a dirty glance at the doorhandle.

"Remi."
She looks back at you, eyes brimming with frustration. Somewhere in the last couple of minutes something has changed but you're not sure what.
"Just ignore the door." You say.
She puts her hands on either side of your head and kisses you once again, but only softly and quickly this time, leaving you wanting more. You're vaguely aware of more knocking on the door and some distant words. If you can hear them speaking, whoever is there must be able to hear your voice too.

Remilia doesn't pull her head back from you this time, just holds her eyes steady in front of yours.
"Don't leave."

[ ] Ask her why.
[ ] Tell her you're hers.
[ ] Tell her you're not hers to command.
[ ] Tell her you need to leave now to check on the cake.
[ ] Ignore her, answer the knocking.
>> No. 6111
[ ] Tell her you're hers.
>> No. 6112
>>6110

[ ] Ask her why.
>> No. 6113
>>6105
>Less stain
Considering the current story events, was this typo on purpose or an unintentional pun? Either way I found it amusing.
>> No. 6114
[x] Ask her why.
[x] Tell her you're hers.
I swear, if the cake vote wins...
>> No. 6115
[ ] Tell her you're hers, but...
[ ] "...what should we do about the door?"
>> No. 6116
[X] Tell her you're hers.
[X] Tell her you need to leave now to check on the cake.

In that order.
>> No. 6117
[x] Tell her you need to leave now to check on the cake.
>> No. 6118
[x] Ask her why.

Wouldn't it be interesting if the door were to open, and the one knocking was Remi? After a moment of staring at her in the doorway in shock, we turn back to see that the one who was kissing us and straddling our lap was...
>> No. 6119
[X] Tell her you're hers.

Love the little vampire.
>> No. 6120
[x] Tell her you're hers.
Come on anon, I think you can figure out at least one good reason why she doesn't want us to leave.
>> No. 6121
[X] Ask her why.
[X] Tell her you're not hers to command.
>> No. 6123
[ ] Tell her you need to leave now to check on the cake.
THE CAKE
>> No. 6124
[X] Ask her why.
[X] Tell her you're hers.

That cake is going to be crispy.
>> No. 6126
>>6118

GODDAMMIT KOAKUMA
>> No. 6127
[ ] Tell her you're hers, but...
[ ] "...what should we do about the door?"
>> No. 6128
[X] Ask her why.
Disappear.
This Cake is an eyesore.
>> No. 6129
▷ Ask her why.
▷ Tell her you're hers.
>> No. 6130
[X] Tell her you're hers.

Yes. Romantic Belmonymous is romantic.
>> No. 6131
>>6118

I don't think it's Koakuma this time, it would be stupid if HY pulled that trick again.
>> No. 6132
[x] Ask her why.
>>Remilia doesn't pull her head back from you this time, just holds her eyes steady in front of yours.
>>"Don't leave."
Is she setting us up for the classic vampire stare? I have a feeling we're going to become her thrall if we show no resistance.
>> No. 6133
File 121105042115.jpg - (253.00KB , 1024x768 , Warcraft 3 No3.jpg ) [iqdb]
6133
>>6132
>thrall

Every time I see that word, I think of this.
>> No. 6134
[x] Ask her why.
[x] Get to the cake
>> No. 6135
Someone has found the note and is trying to find Remilia to tell her of its contents.
>> No. 6136
[X] Ask her why, tell her you're hers, and then pick her up and carry her to the kitchen to check on the cake together.
>> No. 6137
[x] Tell her you're hers.

Maybe Remi's seeing/adjusting our fate? Eh, I'll trust her either way.
>> No. 6138
Seven minutes, sorry.
>> No. 6139
>>6138

Take it eas-- WAIT, WHAT THE FUCK DID YOU SAY?!
>> No. 6140
>>6138
You earned your rest, but stop with the CAKE VOTES, that fucking cake.
>> No. 6141
>>6138

What does that mean anyway? I'm new to VNs.
>> No. 6142
[X] Tell her you're hers.
>> No. 6143
>>6141

GM once posted she would be back in 7 minutes. I think she stayed off the entire day after posting that.
>> No. 6144
>>6141
it means he'll be gone for a week or so
>> No. 6145
>>6141

Means he won't be back for a while.
>> No. 6146
>>6141

"I'll be back in seven minutes, max"
And then GM disappeared for two days.
>> No. 6147
>>6138
FFFFFFFFFFFFFFFFFFFFFFFFFF
>> No. 6148
>>6141

It means "prepare to wait a whole shitload longer than seven minutes."
>> No. 6149
>>6143
>>6144
>>6145

Ah, I see. Thanks.
>> No. 6150
One of these days, someone will say "7 minutes" and actually MEAN it.

When that happens, the world will implode.
>> No. 6151
>>6143
Back in the old days. I miss the Lake End.
>> No. 6152
>>6151

Didn't the nineball give us a Lake End?
>> No. 6153
>>6055
>She looks back at you, eyes brimming with frustration. Somewhere in the last couple of minutes something has changed but you're not sure what.

[X] Tell her you're hers.

The "why" is obvious. Don't frustrate her anymore than she is. She's going to take care of whoever is at the door, and then we'll resume.

Fuck the cake.
>> No. 6154
[X] Tell her you're hers.
>> No. 6155
>>6152
If I remember right, the lake ends were self-inflicted for the most part, the only one that wasn't was China smashing anon's face in by mistake.
>> No. 6156
>>6100
Well, you've done a good job of it.

>>6132
Mystic Eyes of Enchantment, go!
>> No. 6157
Well, we decided it would be a brilliant idea to take a swim in the lake.

Despite knowing it was, well, THE LAKE? I think that could count as self-inflicted, even if it probably wasn't intentional.
>> No. 6158
Alright, back and writing now. Here we go.
>> No. 6159
Wondering, what are our route priorities now that HY told us the feel of them? >>5676
Still Koakuma first, or did Sakuya or Meiling take the lead?
>> No. 6160
>>6158

Hope you enjoyed your 7 x 6 + 1 minute break.
>> No. 6161
>>6160

Er, + 2. Damn.
>> No. 6162
>>6150
>>6158

WORLD
IMPLODING
>> No. 6163
>>6162

Except for the fact that it took more than seven minutes.
>> No. 6164
>>6162
No, that wasn't 7 minutes.
>> No. 6165
"I have no reason to leave."
You can actually feel Remilia stop breathing at the sound of your words. You wrap your arms tighter around her waist, holding her close to you.
"I'm yours Remi. I'm all yours"
For a long moment you feel like the world has frozen. She's just looking into your eyes, expressionless. You swear that somewhere you hear the sound of wheels, but that must be an illusion. Then, slowly, she smiles. Wide, showing her teeth. Her entire face changes, as if it was lighting up. You're looking at what very well may be the warmest smile you've ever seen. It's still got a touch of her usual slyness though, just below the surface.
She nudges her face forwards and kisses you again, closing her eyes. You join in, holding her tight.

"Right! I'm coming in!" The voice from outside is shouting now. It's Sakuya and she sounds absolutely livid. Remilia must have heard that but she just keeps kissing you.

[ ] Ignore Sakuya.
[ ] Try to warn Remilia and break the kiss.
[ ] Keep kissing, open your eyes and wave at Sakuya as she opens the door.
>> No. 6167
>>6165

[x] Ignore Sakuya.

STAY OUT OF THIS BITCH.
>> No. 6168
[x] Ignore Sakuya.
>> No. 6169
[x] Ignore Sakuya.
>> No. 6170
[x] Try to warn Remilia and break the kiss.

We can continue later, right?
>> No. 6171
[X] Ignore Sakuya.

Go away, PAD.
>> No. 6172
[x] Keep kissing, open your eyes and STARE at Sakuya as she opens the door.

Oh ho, why not break her heart.
>> No. 6173
[ ] Ignore Sakuya
>> No. 6174
[X] Ignore Sakuya.

Well, little maid, you're about to get even more angry than you were before. And we don't care.
>> No. 6175
[x] Ignore Sakuya.
If she's coming in, she's coming in. But Belmonymous is busy kissing Remi, so don't expect any acknowledgment....
>> No. 6176
[ ] Ignore Sakuya.
>> No. 6177
[X] Ignore Sakuya.

She can't do ANYTHING. If she irritates Remilia, Remilia gets pissed off, if she harms us NOW of all times, Remilia gets pissed off. Lose-lose, imperfect maid.
>> No. 6178
[x] Ignore Sakuya.
>> No. 6179
[x] Ignore Sakuya.

Ah revenge. And this isn't even half of it.
>> No. 6180
>>You swear that somewhere you hear the sound of wheels, but that must be an illusion.

Between this and the sudden change in Remi, I'm getting a little worried now...
>> No. 6181
>For a long moment you feel like the world has frozen. She's just looking into your eyes, expressionless. You swear that somewhere you hear the sound of wheels, but that must be an illusion.
She already knows we're kissing.
[x] Ignore Sakuya
>> No. 6183
[x] Ignore Sakuya.
Remi's not phased by Sakuya, and we shouldn't be either. She's not going to try anything with her mistress present. The third option just devalues Remi, and makes it look like we're fooling around with her as a means of pissing PAD off.
>> No. 6184
File 121105530625.jpg - (154.33KB , 477x559 , 1206035178541.jpg ) [iqdb]
6184
[x] Ignore Sakuya.

I wonder if Sakuya took the cake out of the oven for us, and if so did she frost it?
>> No. 6185
[ ] Ignore Sakuya.

I hope Remilia's back is to the door, maybe then she won't throw knives.
>> No. 6186
>>For a long moment you feel like the world has frozen. She's just looking into your eyes, expressionless. You swear that somewhere you hear the sound of wheels, but that must be an illusion.
Poor Sakuya.
[X] Ignore Sakuya.
>> No. 6187
Hmm, interesting. Anyway, writing now.
>> No. 6188
>>Hmm, interesting.

Uh-oh.
>> No. 6189
[X] Ignore Sakuya.
Remi has no intention of stopping, so why should we? Sakuya may as well get used to things changing around here. I'd still like to know what that wall incident was all about though before we completely piss her off. Maybe there is a good reason behind her actions.
>> No. 6190
FUCKING PAD HAS TO RUIN EVERYTHING
>> No. 6191
>>6187
>Hmm, interesting.

Now before I stamp those papers, make sure the information is corre-- Oh, get the fuck out, Fargoth!
>> No. 6192
What happened to that self-control you were so proud hours ago, Anon?
>> No. 6193
>>6192

Fate hax has ruined us.
>> No. 6194
>>6192
We haven't tried to "prod" Remi into doing anything she didn't want to do, so I would say we're doing well.
>> No. 6195
>>6192
This is self-control. We're not rubbing it in Sakuya's face and laughing about it, just holding it there.
>> No. 6196
>>6195
Oh, it's control alright.
I'm just not sure how much if it is from ourselves.
>> No. 6197
Sakuya can go boil her own head for all you care. There is nothing else in the world for you right now other than Remilia's lips, the feel of her waist in your hands, the feeling of her chest rising and falling against you.

You hear the door bang open, followed by a shocked gasp.
"E-er-er M-m-mistress?"
Remilia slowly, languidly detaches her lips from yours, giving you a sly wink and trying to suppress a smile as she turns to face Sakuya. From where she's standing Sakuya can see everything, probably even your raging erection.
"Yes, Sakuya?" Remilia says in a disinterested voice.
"I-I-I"
Sakuya is frozen in shock, all the color drained from her face.
Remilia frowns but now you can't tell if it's an act or not.
"Well don't look too happy for me Sakuya." She says.
"I-I'm sorry Mistress." She says, bowing her head.
She just stands like that for a long moment.
"Sakuya?" Remilia says.
"Er! Yes?"
"Was there anything? We're kind of busy here." Remilia runs her fingers through your hair as she says the last sentence.
"Oh! Yes Mistress. The kitchen is in a terrible mess, I assumed it was-"
Remilia cuts her off. "It was me! And it was so fun, I think I'll be cooking again in the future." Remilia turns to smile at you.
"Ah." Sakuya seems to deflate, all the emotion dropping away from her.
"Would you take our cake out of the oven as well, please." Remilia says. "Would it be done by now?" She asks you.
You nod.
"Very well, Sakuya. We'll be along to get some of it shortly I think. Just leave it in the kitchen." Remilia says. "Oh and clean up these later." She points to your used plates.

"Yes Mistress." Just before Sakuya exits you swear there is a frame of sight missing, but all your body parts are still attached. She shuts the door behind her and you're left alone with Remilia again.

Who bursts into a fit of laughter.

You can't help but laugh with her. Sakuya's reaction was very funny, a little satisfying as well, but Remilia can't know why you find it funny too. After a minute or two her giggles die down and she's just resting against your shoulder.

[ ] Ask her why she was just like that with Sakuya.
[ ] Tell her about what happened with you and Sakuya
[ ] Go get cake.
>> No. 6198
>>6195

Do you understand? This is what it means to have strong self-control!
>> No. 6199
[x] Tell her about what happened with you and Sakuya
>> No. 6200
>>6197

[ ] Ask her why she was just like that with Sakuya.
>> No. 6201
JUST AS
PLAN-
NED
[x] Ask her why she was just like that with Sakuya.
I hope this doesn't ruin the mood.

(And hopefully it will be because she somehow heard Sakuya that time).
>> No. 6202
[x] Ask her why she was just like that with Sakuya.
[x] Tell her about what happened with you and Sakuya
I like both.
>> No. 6203
[X] Just cuddle with her for a while.

God damn I love Remi. She's adorable.

Anyway, it's comfy here. No reason to ruin a comfortable moment like this one.
>> No. 6204
[ ] Go get cake.

Sakuya has been baked. Now it's time for cake.
Also, after this I can't rule out the possibility that Remilia somehow knows what happened with Sakuya.
>> No. 6205
[X] Ask her why she was just like that with Sakuya.
[X] Go get cake.
This multi task should be easy.
>> No. 6206
[X]Resume from where you left off.

It's pretty obvious why she was like that, I'm sure she knows just as well as you that Sakuya popped in during a time freeze.
Right now is also the wrong time to tell her, way to ruin the mood.
>> No. 6207
AHAHAHHAH TAKE THAT PAD
[x] Tell her about what happened with you and Sakuya.
First option seems unnecessary, we can tell Remi was really enjoying messing with Sakuya's head. The cake can wait, but there may not be a better time to find out what Sakuya's problem is, even if it does kill the mood a little.
>> No. 6208
[†] Ask her why she was just like that with Sakuya.
[‡] Tell her about what happened with you and Sakuya
>> No. 6209
[X] Just cuddle with her for a while.

Then:

[X] Go get cake.

This is not the time for questioning. The mood is too perfect, and trying to gather information right now would ruin the atmosphere. Just be patient, you lot.
>> No. 6211
[x] Tell her about what happened with you and Sakuya.
[x] Go get cake.
>> No. 6212
[X] Ask her why she was just like that with Sakuya.
[X] Tell her about what happened with you and Sakuya
[X] Go get cake.

Though I can't help but wonder if she already knows.

Goddamn, Remi is awesome.
>> No. 6213
[X] Just cuddle with her for a while.

mmm remi~
>> No. 6214
[ ] Ask her why she was just like that with Sakuya.
>> No. 6215
I see bad things involving Sakuya in our future.
>> No. 6216
[X]Resume from where you left off.
>> No. 6217
[X] Ask her why she was just like that with Sakuya.
[X] Go get cake.

Yes, yes, Sakuya was a bitch earlier, but I can't help feeling bad for her. I'm a loser like that.
>> No. 6218
[X] Go get cake.

You know, the information is important, but...

I don't think this is the appropriate time. Remi's happy and all, and I think bringing up the other points might make her a little uncomfortable.
>> No. 6220
>You swear that somewhere you hear the sound of wheels, but that must be an illusion.

THE WHEELS OF FATE TURN FOR BELMONAMOUS, INEXORABLY DRIVING HIM TOWARDS HIS FUTURE.


[x] Ask her why she was just like that with Sakuya.
[x] Tell her about what happened with you and Sakuya
[x] Go get cake.

Let's laugh at the stupid pad-maid.
>> No. 6221
[X] Just cuddle with her for a while.
[X] Go get cake.

Delicious Remi, and delicious cake. We will have both.
>> No. 6222
>THE WHEELS OF FATE TURN FOR BELMONAMOUS, INEXORABLY DRIVING HIM TOWARDS HIS FUTURE.
ZAWA ZAWA?
>> No. 6223
[X] Just cuddle with her for a while.
[X] Go get cake.

I like this. We can chat again over delicious cake.
>> No. 6224
Seriously, we need to stop picking on Sakuya. There's no way we're getting a good end without her on our side.

THINGS TO DO:

* Make up with Sakuya (maybe kiss and make up?)
* Study that letter (and that photo or the painting)
* Hook up Patchy and Alice
* Remi time
* Play with Flan
* Play the vidya with China
* Remi time

Out of interest, how many days do we have left?
>> No. 6225
By the way, I know many are tempted, but it's not particularly safe for anon to be a jerk to Sakuya.

I'm not so sure she won't touch him as long as Remilia doesn't want to. Remilia is pretty much her life, and if she's sure anon will take that away, then she has nothing to lose anymore; so why not pay anon back?

I'm not saying Belnonymous has been a jerk to Sakuya, but rather that it's best to keep playing it safe than going "in yo' face bitch you can't touch me anyway".
>> No. 6226
>>Delicious Remi, and delicious cake. We will have both.

First we eat one, and then the other.
>> No. 6227
File 121105862423.jpg - (25.91KB , 512x512 , 121098276438.jpg ) [iqdb]
6227
>>6224
Sakuya? Leave her to me!
>> No. 6228
We should at least try to find out WHY Sakuya is behaving as she is. She may have some very good reasons. Besides, I somewhat feel sorry for her, she's been taking care of the place for all this time and now we come in and displace her? I'd be mad too if I were her.
Also: If she leaves who's going to get Flandre's food? Ever consider that, anon?
>> No. 6229
File 121105875088.jpg - (76.24KB , 600x650 , 1207431221516.jpg ) [iqdb]
6229
>>6224

dontforgetme
>> No. 6230
>>6224
We're not really picking on Sakuya. We're just making enjoyable moments with Flandre and Remi, and saying "screw you, screw that 'balance' you want to protect, and screw your death threats".
>> No. 6231
>>6225

Above all, belmonymous is a gentleman, we do not mock those that have lost, that is a thing for lesser men, unsure of their position!
>> No. 6232
>>6225

Until something happens to make up for the concussion and the death threat, I'll continue to make neutral or antagonistic decisions towards PAD.
>> No. 6233
The mood has already been ruined anyway.

[ ] Tell her about what happened with you and Sakuya

Time to forward the plot.
>> No. 6234
>>6224
Thing is, if you look at >>6197 we didn't really do a single thing to aggravate her, it was all Remi. We're only doing two things that apparently don't sit well with Sakuya; loving Remi (with good intentions), and trying to heal the rift between two sisters (also good intentions). If she has a problem with either, fuck her.
>> No. 6235
On another note, looking over the votes, a person or two has mentioned it already, but...

You guys really need to learn to read the atmosphere more. I know you all want to break the news about Sakuya to Remi, or ask her about it, but do you really think this is an appropriate time? You need to learn to separate SERIOUS and PLAYFUL moments, otherwise our relationship with Remi is going to be rocky. Especially considering that her favorite thing about us seems to be how much fun we have with her.
>> No. 6236
[x] Tell her about what happened with you and Sakuya

Looking at the bad end above, Remi values us more than Sakuya, and Sakuya can barely control herself at this point.

Remi just laughed her ass off at her; there's no better time to bring up something about Sakuya. Unless Remi confronts her, we're certain to have an "accident" the next time we're alone.
>> No. 6237
>>6233

What the hell are you talking about? Remi was all laughter and smiles just now. It may not be time for hot loving any more, but it's certainly rather relaxed and happy.
>> No. 6238
>>6234
Exactly. More than good intentions, we're even having good results so far. If Sakuya wants to stop that, smashing our head against the wall and threatening our life is the wrong way to convince us to act differently.
>> No. 6239
>>6234
Then we need to get Remi to be nice to Sakuya, they're friends as well right? Perhaps we should give Sakuya a day with her mistress, make sure she knows she still has a place in this house while we're here.

We can't hope for the best end if Sakuya hates us, we need harmony between each member. Perhaps we should promote a better relationship between her and China? Maybe Sakuya is in love with Remi and sees it as a threat to her bid, which in turn causes China heart ache as Sakuya is unwilling to "settle" for her.

>>6229
My apologies dear.
>> No. 6240
>>6235
Anon is stupid. That's why Hungry Youkai will give us Lake End.
>> No. 6241
>>Unless Remi confronts her, we're certain to have an "accident" the next time we're alone.

Then we just need to never be alone. Naturally, this extends to not sleeping alone.
>> No. 6242
>>6236
That bad end was written by YAF, not HY. Using it as evidence for how Remi actually is in HY's SDM:LA is dumb, and you should feel dumb.
>> No. 6243
>>Then we need to get Remi to be nice to Sakuya, they're friends as well right? Perhaps we should give Sakuya a day with her mistress, make sure she knows she still has a place in this house while we're here.

Remi has shown an interest in cooking. Who better to teach her some more things to make than the head maid?
>> No. 6244
>>6239
EVERYONE IS GAY IN GENSOKYO
PATCHOULI FOR ALICE
SAKUYA FOR REMILIA
CHINA FOR SAKUYA
REMILIA FOR FLANDRE
ITSUKI FOR KYON
>> No. 6245
A bit late but...

[x] Ask her why she was just like that with Sakuya.
>> No. 6246
Also I'm new here. Been eating the entire storyline up between yesterday and today, heh.

How do you guys keep control of the votes exactly? I mean, how do you keep some jerk from voting 30 times? Or we just have that much good will in the board?
>> No. 6247
>>6246
Good will.
>> No. 6248
[x] Go get cake.

Maybe Sakuya can have some?
>> No. 6249
How many times have we been given the opportunity to talk to Remi about Sakuya recently? How many times have we ignored it?

Yes, I'm sure that little plot thread will tie itself off nicely if we just continue as we are.

awesome.jpg
>> No. 6250
>>6246
Vote limits usually cut off about 5 or 7, other than that it's an honor system. So far we've only suspected people of vote spam and the one time investigated was proven to be no spam after all
>> No. 6251
>>6246
It works on good will, but sometimes a faggot votespams. If anyone votespams here then Remilia will tear their heart out and replace it with a squishy lump of Alice's poop.

Also, writing now.
>> No. 6252
>>6246
Good will, although sometimes that breaks down in tricky decisions.
>> No. 6253
>>6247
>>6250

That's awesome, glad to see we have a nice community here.
>> No. 6254
>>6249

Yeah. Just like the letter!
>> No. 6255
>>6253
Hey~

If you like this maybe you should read some of the others ones on the other regional boards too~

*cough*/forest/*cough*
>> No. 6256
Oh yeah, assume the bracing position.
>> No. 6257
>>6256
YOU ARE ALREADY BRACED
>> No. 6258
>>6255
gb2/forest/
I wanna read more.
>> No. 6259
File 121106015682.jpg - (444.13KB , 1228x597 , 1209931981334.jpg ) [iqdb]
6259
>>6256

FUCK
>> No. 6260
>>6250

I'm still amazed that turned out not to be votespam, considering exactly how stupid it was.

But, then, I overestimate anon on a routine basis.
>> No. 6261
>>6256

CLENCHING TEETH AND BRACING FOR WALL.
>> No. 6262
File 121106024875.jpg - (488.85KB , 976x1371 , 1209048203349.jpg ) [iqdb]
6262
>>6255

Oh I'll check it out. I came here looking for delicious China (don't remember who linked me) and ended up finding that and much more.

I'm supporting her for our second route, but I gotta admit HY has written all characters to be lovable. Especially Koakuma has surprised me.
>> No. 6263
>>6262
I find that Scorn also has an interesting interpretation of characters. Marisa is pretty damn awesome.
>> No. 6264
>>6256

I lift up the stone, and I put it in place, it was meant to go there,
All shapes and sizes flash before my eyes!
And here is the wall, the wall that I built, steadily growing,
A structure that will stand the test of time!
>> No. 6265
>>6255
I'm sure he would, once you GET BACK TO WORK, NIGGER.
>> No. 6266
>>6262

IS THERE NO LOVE FOR DELICIOUS MIKO?!
IS THERE, I ASK!?
>> No. 6267
>>6266
You do a tasty dere dere Reimu YAF.

>>6265
VOTE MOAR

>>6263
You'll get a taste for the others soon enough
>> No. 6268
>>6266
NO MIKO
NO SUIKA
NO MIMA
FOREST AND SDM ONLY
FINAL DESTINATION
>> No. 6269
>>6263
I didn't really like Marisa until I read Scorn's story. He's got a pretty cool interpretation of the character.
>> No. 6270
>>6267
Use less votes during slow periods, durr.
>> No. 6271
>>6266

'course there is. Sanae is love.

Nah j/k I love Reimu too, in fact I'd be hard pressed to find one character in Touhou I dislike. It's just that SDM is my favourite bunch (and Meiling my favourite character) and I had no clue what kind of place this was, so when I first came here I came looking for Mei pics.

Needless to say I was pleasantly surprised.
>> No. 6272
>>6270
Doesn't help when everything gets tied DERP
>> No. 6273
>>6272
It does when you use first to *, derp.
Like right now. Look for Reimu is at 5. Less excuses, more work!
>> No. 6274
>>6266

Sorry YAF, I only love you for your Wriggle.
>> No. 6275
File 121106192098.png - (711.66KB , 1280x960 , f82393da93e547f66d109abc45c7dfde.png ) [iqdb]
6275
"What was all that about, Remi?" You ask.
Remilia bites her lips to stop herself from laughing again and then calms down a little so she can answer you properly.
"Oh she's just so fun to tease! So uptight sometimes." Remilia says. Then she stops and frowns.
"Though she did seem even more shocked than I thought she would be." She looks at you differently for a second. "There's not ... you haven't? I mean since you came here you haven't?" You can tell her voice is just on the verge of shaking.
"No no Remi, I was never interested in Sakuya." You shake your head.

A lie, but you certainly don't harbor any interest in Sakuya any more, not after what happened last night. Not to mention what happened just now with the delicious little vampire sitting on your lap.

Remilia lets out a long breath and smiles again. "Sorry, I shouldn't even have suggested that." She says.
"In fact ... Remi, there is something I need to tell you."
"Go ahead." She looks at you seriously.

You need to get this out into the open right now. If anything Sakuya might be an even greater threat to your life now that you've become more intimate with Remilia. She could make it look like you just ran off or kill you in your sleep and dump the body. You need to let Remilia know. You tell her about what happened after leaving her and Flandre alone last night, leaving out no details, even the bruise on the back of your head. When you tell Remilia about that she leans over and strokes it gently.
"Did it stop hurting when you met me this morning?" She asks.
"Yes, how did you know?" You ask, bewildered.
"I didn't, but I have my suspicions. Vampire physiology does some odd things on occasion, but that's not important right now. Keep going."
You tell her the rest of the story, she scowls with anger when you tell her about passing out on the grass.
"I'll have to give China a reward to thank her." She says when you tell her about being woken up again.

"Thankyou for bringing this to my attention." She says when you've finished. "And I'm sorry, I know Sakuya can be rather ... rough, but I thought she understood you were a special guest."
"But what did she mean by 'balance'?" You ask.
"Oh who knows?" Remilia shrugs angrily. "She gets some funny ideas, I'm going to have words with her, rest assured."

Pity you had to spoil the mood like that. but at least you feel a little bit safer.

"Shall we have some cake now?" You ask.
Remilia smiles again. "Yes, why not?"
You lift her up and off your lap, which she seems to enjoy immensely, though you're sure she helped you by floating.
You offer her your hand again and then walk back to the kitchen. She sniffs the air and comments on the delicious smell of freshly baked cake, which only intensifies when you enter the kitchen. Looks like the cake is a success. Remilia rushes over to inspect it, fascinated at her own handiwork.
"Shall we take it upstairs?" She asks. "Maybe get some tea as well."
"Good idea."

[ ] Call Sakuya, ask for tea, take cake upstairs with Remilia.
[ ] Make tea yourself, get Remilia to take cake upstairs.
[ ] Suggest you get Flandre to join you.
[ ] Suggest you take cake and tea to Patchouli to find out about her and Alice.
>> No. 6276
Also I have finished reading Blame! Suggest some more good manga for me so I stay on the computer longer and write more for you.
>> No. 6277
>>6275

[z] Make tea yourself, get Remilia to take cake upstairs.
>> No. 6278
[X] Make tea yourself, get Remilia to take cake upstairs.
[X] Suggest you get Flandre to join you.

A little sister is added~
>> No. 6279
[x] Make tea yourself, get Remilia to take cake upstairs.

This is special time between lovers. No meddling in Patchy's affairs and no Flan.
>> No. 6280
>>6276

20th Century Boys, Hajime no Ippo and Angel Densetsu are good reads.
>> No. 6281
[x] Make tea yourself, get Remilia to take cake upstairs.
[x] Suggest you get Flandre to join you.
No good trying to eat an entire cake with only two people (though I suppose it COULD be a small cake...).
>> No. 6283
>>6276

Berserk.
>> No. 6284
[x] Call Sakuya, ask for tea, take cake upstairs with Remilia.

THE COJONES ON THIS MAN.
>> No. 6285
[X] Make tea yourself, get Remilia to take cake upstairs.

Time for some more alone time.
>> No. 6287
[x] Make tea yourself, get Remilia to take cake upstairs.
>> No. 6288
[x] Suggest you get Flandre to join you.

Ichigo Mashimaro
Yotsubato
Anything by Junji Ito
Everything by Shiwasu no Okina
>> No. 6289
>>6276
Gunslinger Girl for your cyborg loli needs.
>> No. 6290
She wants to go upstairs, after we were making out and were interrupted. We're not just going to have cake, guys.
>> No. 6291
[X] Make tea yourself, get Remilia to take cake upstairs.
>> No. 6292
Considering what Sakuya did to us last night, and what she just saw 2 minutes ago, do you really want to be in the kitchen alone right now?
>> No. 6293
[x] Make tea yourself, get Remilia to take cake upstairs.
We're going to get more than just cake.
>> No. 6294
If you invite Flandre, she's going to wonder why the cake tastes funny. No blood in cake makes Flandre sad ;_;
>> No. 6295
>>6290
Who says we can't do both?
>> No. 6296
[x] Make tea yourself, get Remilia to take cake upstairs.
>> No. 6297
>>6290
Well, obviously.
She mentioned tea too.
>> No. 6298
[ ] Call Sakuya, ask for tea, take cake upstairs with Remilia.
[ ] Suggest you get Flandre to join you.

Somehow being in the kitchen alone doesn't seem like a very good idea to me.
>> No. 6299
[X] Make tea yourself, get Remilia to take cake upstairs.

NO FLANDRE
NO SAKUYA
BED TOP SPORTS ONLY
FINAL DESTINATION
>> No. 6300
>>6276

YKK (Yokohama Kaidashi Kikou)
Yatsubato!
Lone Wolf & Cub
GUNNM
Vinland Saga
>> No. 6301
[X] Make tea yourself, get Remilia to take cake upstairs.

Need some time alone with Remilia. Some more time.
>> No. 6302
>>6292
>>6298
Hmmm, good point. I think I'll want to avoid being alone with Sakuya until Remi has words with her.

[x] Call Sakuya, ask for tea, take cake upstairs with Remilia.
>> No. 6303
>[X] Make tea yourself, get Remilia to take cake upstairs.

I just realized this option leaves us alone in the kitchen. We are so fucked.
>> No. 6304
[x] Make tea yourself, get Remilia to take cake upstairs.
Making tea ourselves means we'll be alone for a bit, which'll be fun if Sakuya decides to take action.
[x] Suggest we set aside some cake for Flandre.
Openly asking whether we should eat with Flandre may displease Remi a bit (if it's still supposed to be love-love time), but suggesting that we save some cake for Flandre is innocent enough. Who knows, if we mention Flandre's name maybe Remi'll pick up on it and be the one to suggest eating with Flandre.
>> No. 6305
>>6276
Fucking JoJo.
If you already read it, READ IT MOU IKKAI
>> No. 6306
[X] Make tea yourself, get Remilia to take cake upstairs.
By the way are the dirty dishes still on the table, or did they get removed during that time skip after Sakuya left? Just wondering, since if they are gone she's probably already cleaned, and we should avoid making any sort of mess. I hope she doesn't take her anger/frustration out on Meiling...
>> No. 6307
File 121106335750.png - (150.67KB , 832x1200 , KRSpirits-v01c03p124.png ) [iqdb]
6307
[✓] Call Sakuya, ask for tea, take cake upstairs with Remilia.

We're too close, fellows, let's not get cockblocked by Death himself while making tea.

>>6276
Kamen Rider Spirits.
>> No. 6308
>>6276
Monster

Fuckwin manga.
>> No. 6309
[] Make tea yourself, get Remilia to take cake upstairs.
>> No. 6310
Writing now.
>> No. 6311
>>6304
[x] Suggest we set aside some cake for Flandre.

I like this.
>> No. 6312
We're so gonna make the kitchen a mess again.

WITH OUR BLOOD.
>> No. 6313
SPLIT YOUR LUNGS WITH BLOOD AND THUNDER
WHEN YOU SEE THE HEAD MAID
>> No. 6314
>>6276
Inuyasha
>> No. 6315
>>6310

ANONYMOUS, PREPARE FOR THE FINAL TIME STOP
>> No. 6316
>>6314

slide whistle
>> No. 6317
>>6315

WRYYYYYYYYYYYYYYYYYYYYYYYYYY
>> No. 6318
"I'll get making the tea, you take the cake upstairs Remi." You say, moving the cake onto a tray and adding a couple of plates and a knife.
"Okay, see you in a minute." Remilia winks at you she leaves the kitchen with the tray. You find the teapot and a kettle, ready some cups and set the kettle to boil.

Then there is a missing frame from your sight.
"I can kill you without breaking a sweat." Sakuya's voice comes from behind you.
As you spin to face her there is another frame gone, she's nowhere to be seen.

Her voice is right in your ear. "She won't miss you."
You instinctively jerk away but then she's moved again, voice coming from above, somehow.
"She won't have a clue. She doesn't even know what's going on in this place."
Then Sakuya's face is right in front of you. She's not angry, there's no rage. Only coldness and a hint of sorrow.
"Don't do this." She says. Then she's gone again.

There is a click from behind you.
"Don't turn around." She says. "If you look then I won't be here."

[ ] Turn around.
[ ] Hurl a chair at her.
[ ] "Remilia loves me, you can't touch me."
[ ] "What am I doing wrong? I'm not trying to replace you."
[ ] GENUFLECT/cower in fear.
>> No. 6319
[X] Hurl eyesore furniture at her.
>> No. 6320
[x] Call our stand
>> No. 6321
SHIIIIT. Just as predicted.
[x] "What am I doing wrong? I'm not trying to replace you."

Give us exposition, or give us Bad End.
>> No. 6322
[X] "What am I doing wrong? I'm not trying to replace you."
>> No. 6323
[x] "What am I doing wrong? I'm not trying to replace you."

And if that doesn't work
[x]*whip-CRACK*
>> No. 6326
[x] Hurl a chair at her.

ENJOY YOUR EYESORE EYESORE
>> No. 6327
[X] "What am I doing wrong? I'm not trying to replace you."
[X] "Besides, I love her. Threatening me won't change that."

It's true.
>> No. 6328
[x] "What am I doing wrong? I'm not trying to replace you."
>> No. 6329
[x] "What am I doing wrong? I'm not trying to replace you."
>> No. 6330
>>6327
This.

[✓] "What am I doing wrong? I'm not trying to replace you."
[✓] "Besides, I love her. Threatening me won't change that."
>> No. 6331
[X] "What am I doing wrong? I'm not trying to replace you."
>> No. 6332
[x] Turn around.
[x] "Remilia loves me, you can't touch me."

She's going all out to scare us, so call her bluff and establish dominance in the conversation. She doesn't want us to turn around because she's breaking up.

[x] "What am I doing wrong? I'm not trying to replace you."

It's the truth.
>> No. 6333
[x] Hurl a chair at her.

EYESORE FOR AN EYESORE!
>> No. 6334
[X] "What am I doing wrong? I'm not trying to replace you."
and
[X] "Could you please explain to me this whole 'balance' thing?"
>> No. 6335
[X] "What am I doing wrong? I'm not trying to replace you."
[X] "Besides, I love her. Threatening me won't change that."
[ ] "Jealous?"

Room enough in my heart for one, but room in the bed for four or five.
>> No. 6336
>>6327

[X] "What am I doing wrong? I'm not trying to replace you."
[X] "Besides, I love her. Threatening me won't change that."
>> No. 6337
[ ] "What am I doing wrong? I'm not trying to replace you."
>> No. 6339
[z] "What am I doing wrong? I'm not trying to replace you."
[z] "Besides, I love her. Threatening me won't change that."
>> No. 6340
[x] "What am I doing wrong? I'm not trying to replace you."
[x] "Besides, I love her. Threatening me won't change that."
>> No. 6341
>There is a click from behind you.
>"Don't turn around." She says. "If you look then I won't be here."

That click would be her stopwatch. Normally we wouldn't be able to hear it, so I guess she's out of time. That would explain why she doesn't want us to turn around; she can't time stop away.
>> No. 6342
[X] "What am I doing wrong? I'm not trying to replace you."
[X] "Besides, I love her. Threatening me won't change that."

Yay for write-ins.
>> No. 6343
[X] "What am I doing wrong? I'm not trying to replace you."
>> No. 6344
[x] "What am I doing wrong? I'm not trying to replace you."
[x] "Besides, I love her. Threatening me won't change that."
>> No. 6345
Vote changed to:

[X] "What am I doing wrong? I'm not trying to replace you."
[X] "Besides, I love her. Threatening me won't change that."
>> No. 6346
But make sure to add that we'd really like to know what the fuck her problem is.
I mean, yeah, we've been kind of snubbing her, but she's kinda turned superbitch on us, and we don't exactly care for that.

Pretty sure it won't be that easy.
>> No. 6347
>>6341

So, in a way, it was the final time stop.
>> No. 6348
[X] "What am I doing wrong? I'm not trying to replace you."
[x] "Besides, I love her. Threatening me won't change that."

We need to hear her out, but at the same time make it clear that we don't respond well to threats.
>> No. 6349
Nice write-in people, well done.

Writing now.
>> No. 6350
>>6341
LIMITED ZA WARUDO
HERE'S HER WEAKNESS, WE NEED TO ORA ORA ORA THE SHIT OUT OF HER RIGHT NOW
[x] Turn around.
>> No. 6351
Nice write-in. Well done.

Writing now.
>> No. 6352
>>6350

Wonder, how many, seconds, can move, time stop, etc.
>> No. 6353
File 121106613398.jpg - (154.39KB , 616x1396 , dio_brando.jpg ) [iqdb]
6353
>>6352

forgot my dio
>> No. 6355
Wouldn't killing us basically destroy this so-called balance she's trying to protect?

I mean, Flan would likely go batshit berserk. No telling what Remi'd do.
>> No. 6356
>>6355
>"She won't have a clue. She doesn't even know what's going on in this place."
I assume she has some plan to make it look like we ran off with Koakuma or reverse time enough to erase our existence or something like that
>> No. 6358
>>6356

Her ability to "reverse" time is extremely limited (see Perfect Memento). Anyway, it's clear she doesn't have a plan to deal with us, which is what is making her so flustered that she has to resort to intimidation and bluffing.
>> No. 6359
File 121106741126.jpg - (98.46KB , 416x686 , scan0012.jpg ) [iqdb]
6359
>>6318
Dio could stop for five seconds at first, same for Jotaro after enough trainning. Thanks to parts 4 and 6, we know that the limit between time stops is stamina - so being a vampire helps here. Since Sakuya is human, she can't stop time infinitly. Therefore, it's time to kick ass and chew bubble gum.
>> No. 6360
>>6359
'Cept that would just give Sakuya and excuse to kill us. She's already seems a fair bit crazed and close to her emotional limit here. Best not to call an aggravated person's bluff, lest they take it as a challenge and decide they have to show you they're not bluffing at all.
>> No. 6361
>>6359

Belnonymous: "I don't know, but I can tell you that your Stand isn't as strong as you think it is."
Sakuya: "Grrr... You've got a big mouth!"
>> No. 6362
>>6359
Yes, but this is not Jojo's Bizarre Adventure. Sakuya has considerable power to stop time, seeing as how she basically stopped the night in Imperishable Night
>> No. 6364
>>6359
>it's time to kick ass and chew bubble gum

except we're out of gum
>> No. 6365
>>6360
>Best not to call an aggravated person's bluff, lest they take it as a challenge and decide they have to show you they're not bluffing at all.

She already has enough reasons to kill us. But she's out of time orbs, which means epic Belmont vs. Belmont fight scene.
>> No. 6366
>>6362

>seeing as how she basically stopped the night in Imperishable Night

No
>> No. 6369
>>6362
Oh come on, everyone had stopped the night in IN, and these visual novels need way more Jojo. Also, how CAN'T you see Sakuya as a hommage to Dio? Even one of her spellcards is named "The World".
>> No. 6376
>>6366
It's one of the paths, depending on who you play as.
>> No. 6382
>>6365
Less like an epic fight scene, and more like horrible slaughter, unless Belmonymous is lucky enough to have mystery hax kick in.
>> No. 6385
>>6369
Shit, now I want someone to make Anon's Bizarre Adventure in Gensokyo. I'd do it if I didn't have so many problems with the language.
>> No. 6390
>>6376
>>One Winged Yuyuko

Change that fucking name right now you goddamn faggot
>> No. 6405
File 121106940557.jpg - (255.74KB , 500x650 , 8974adb68c4511d91c9f4f2ded54dd19.jpg ) [iqdb]
6405
Kinda slow round these parts.
>> No. 6410
>>6405
Mr. Bear, you're alive!
>> No. 6469
>>6410
Sakuya has a whole closet full of those. Every time Flan destroys one, she discreetly replaces it with a new one.

Flan thinks Mr Bear is immortal.
>> No. 6473
>>6405
The Return of Mr Bear. With a Vengeance